By Kristen Daly
BIFF DigiComm Commando
Granito: How to Nail A Dictator
Friday, Feb. 17, 10 a.m.
Boulder Theater
Granito plays a bit like a procedural in, as their slogan says, how to nail a dictator. The movie starts with present-day Pamela Yates combing through film footage from her 25-year-old documentary When the Mountains Tremble, her time-worn hands on the old medium remind us of the time that has passed since the events in the film and the young filmmaker synching the sound recording therein. Yates has been contacted by a Spanish lawyer, Almudena Bernabeu, who thinks her footage can help them build a case in the Spanish courts against the military dictators of Guatemala who committed genocide against the indigenous population in the early 80's when Yates made her film. (Here's a Feb. 3 news update from the Latinamerica Press.)
Slowly, piece by piece, person by person, like grains of
sand (granitos de arena) we see how an international criminal case is
built. The struggle begun in those days
and so violently crushed has continued with each person doing a little part
from then until now. As one of the
characters says, opening little cracks and pushing and pushing until they open
up. Everyone has a role to play and it
does seem almost like divine intervention (the film website credits a Mayan
god) that they all can come together and that evidence emerges from unexpected
sources.
From the old days, there is Yates and her footage, a
journalist who helped her get contact with the guerrillas who was working in
Guatemala at the time who is now an international lawyer, one of the commanders
of the Guerrilla Army of the Poor who lived underground in Guatemala City for
17 years, and a witness whose highland village was massacred when he was
11 years old. Coming into the story now
are the Spanish lawyers, a forensic archivist, a forensic archaeologist whose
family left Guatemala under death threats in 1980, and a daughter of the one of
the disappeared who has become a lawyer.
One of the most interesting aspects of the movie especially
for film lovers is Yates' coming to terms with the fact that witnessing and
telling the story was not enough. In
1982, she and cinematographer Newton Thomas Sigel risked their lives getting
footage that revealed the true story of what was happening in Guatemala at the
time. We are reminded in the days before digital how difficult it was to get
film footage under repressive regimes.
There is no way she should have gotten the footage that she got from the
guerrillas and the military, and yet she did, and she brought it together into
a film that had as much success as one could hope for.
When the Mountains Tremble showed at
the first Sundance Film Festival, the narrator Rigoberta Menchú received the
Nobel Peace Prize, the film showed broadly internationally and in 40 cities in
the United States and won many awards.
And yet the massacres continued with 200,000 thought dead, the U.S.
continued to support the Guatemalan dictators and other repressive
dictatorships in Central America, the perpetrators have continued to go
unpunished.
Journalist turned lawyer
Naomi Roht-Arriaza expresses similar disillusionment at the time, when she felt
she was getting a story out and yet it was doing absolutely no good against the
violence of the state apparatus. Only
now are the pieces starting to come together, bringing together different
fields from law, to forensic science, to digitizing archives, to begin to bring
justice in the region. On January 26th
of this year, after thirty years of impunity, General Ríos Montt, who reveals
himself in an interview with Yates done in 1982 as the head of the Guatemalan
military, was placed under house arrest for 11 massacres against the Mayan Ixil
population.
This self-reflection makes Granito a perfect film for
BIFF's Call2Action where it has been paired with Philanthropiece
and Reading Village, both of whom work in development in highland
Guatemala, to direct viewers to action-oriented responses. Granito will be showing Friday,
February 17th at 10am at the Boulder Theater followed by a Q&A
in the theater and a public discussion in the Call2Action tent on the Pearl
Street Mall in front of the courthouse.
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